Tuesday, July 7, 2009

Ig Nobel Prize


A live frog is magnetically levitated, an experiment that earned André Geim from the University of Nijmegen and Sir Michael Berry from University of Bristol the 2000 Ig Nobel Prize in physics.

The Ig Nobel Prizes (read Ignoble, as not noble) are a parody of the Nobel Prizes and are given each year in early October for ten achievements that "first make people laugh, and then make them think." Organized by the scientific humor magazine Annals of Improbable Research (AIR), they are presented by a group that includes genuine Nobel Laureates at a ceremony at Harvard University's Sanders Theater.

History

The first Ig Nobels were awarded in 1991, at that time for discoveries "that cannot, or should not, be reproduced". Ten prizes are awarded each year in many categories, including the Nobel Prize categories of physics, chemistry, physiology/medicine, literature, and peace, but also other categories such as public health, engineering, biology, and interdisciplinary research. With the exception of three prizes in the first year (Administratium, Josiah Carberry, and Paul DeFanti), the Ig Nobel Prizes are for genuine achievements.

The awards are sometimes veiled criticism, as in the two awards given for homeopathy research, prizes in "science education" to Kansas and Colorado state boards of education for their stance regarding the teaching of evolution, and the prize awarded to Social Text after the Sokal Affair. Most often, however, they draw attention to scientific articles that have some humorous or unexpected aspect. Examples range from the discovery that the presence of humans tends to sexually arouse ostriches, to the statement that black holes fulfill all the technical requirements to be the location of Hell, to research on the "five-second rule," a tongue-in-cheek belief that food dropped on the floor won't become contaminated if it is picked up within five seconds.

Name

The name is a play on the word ignoble ("characterized by baseness, lowness, or meanness") and the name "Nobel" after Alfred Nobel. The official pronunciation used during the ceremony is /ˌɪɡnoʊˈbɛl/ "ig-no-bell". It is not pronounced like the word "ignoble" (/ɪɡˈnoʊbəl/). Over the years, organizers have given many satirical origins for the names of the prize, including an early claim that Ig Nobel was the name of the man who invented soda pop.

Ceremony

The prizes are presented by genuine Nobel laureates, originally at a ceremony in a lecture hall at MIT but now in Harvard University's Sanders Theater. It contains a number of running jokes, including Miss Sweety Poo, a little girl who repeatedly cries out "Please stop. I'm bored" in a high-pitched voice if speakers go on too long.[1] The awards ceremony is traditionally closed with the words: "If you didn't win a prize — and especially if you did — better luck next year!"

The ceremony is co-sponsored by the Harvard Computer Society, the Harvard-Radcliffe Science Fiction Association and the Harvard-Radcliffe Society of Physics Students.

Throwing paper airplanes onto the stage was a long-standing tradition at the Ig Nobels, changed at the 2006 ceremony because of "security concerns." In past years, physics professor Roy Glauber has swept the stage clean of the airplanes as the official "Keeper of the Broom". In 2005, Glauber could not attend the awards as he was traveling to Stockholm to claim a genuine Nobel Prize in Physics.

The "Parade of Ignitaries" brings various supporting groups into the hall. At the 1997 ceremonies, a team of "cryogenic sex researchers" distributed a pamphlet titled "Safe Sex at Four Kelvin". Delegates from the Museum of Bad Art are often on hand to display some pieces from their collection, showing that bad art and bad science go hand in hand.

Actor Russell Johnson, known for his portrayal of The Professor on the TV series Gilligan's Island, once participated in the award presentation ceremony as "The Professor Emeritus of Gilligan's Island".

Tours and outreach

The ceremony is recorded and broadcast on National Public Radio and is shown live over the Internet. The recording is broadcast every year, on the Friday after U.S. Thanksgiving, on the public radio program Science Friday. In recognition of this, the audience will repeatedly chant the first name of the radio show's host, Ira Flatow.

Two books have been published as of 2006 with write ups on some of the winners: The Ig Nobel Prize (2002, US paperback ISBN 0-452-28573-9, UK paperback ISBN 0-7528-4261-7) and The Ig Nobel Prize 2 (2005, US hardcover ISBN 0-525-94912-7, UK hardcover ISBN 0-7528-6461-0) which was later retitled The Man Who Tried to Clone Himself (ISBN 0-452-28772-3).

An Ig Nobel Tour has traveled to the United Kingdom and Australia several times. The Tour visited Aarhus University in Denmark in April 2009.

Criticism

In 1995, Robert May, Baron May of Oxford, the chief scientific adviser to the British government, requested that the organizers no longer award Ig Nobel prizes to British scientists, claiming that the awards risked bringing "genuine" experiments into ridicule. However, many British researchers dismissed Lord May's pronouncements, and the British journal Chemistry and Industry in particular printed an article rebutting his arguments.

Overseas

In Russian, the name is usually translated as "Шнобелевская премия" Shnobelevskaya premiya (Shnobel Prize).

References

  1. ^ guardian.co.uk - Infinity and so much more

Links

This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.



Friday, July 3, 2009

Golden Raspberry Award



John Wilson at 29th Golden Raspberry Awards



The Golden Raspberry Awards, frequently called the Razzies, were created by John Wilson in 1980 (and first awarded in 1981), intended to counterpoint the Academy Awards by dishonoring (or honoring) the worst acting, screenwriting, songwriting, directing, and films that the film industry had to offer. The term raspberry is used in its irreverent sense, as in "blowing a raspberry."

Current awards are voted upon by the membership of the Golden Raspberry Award Foundation (GRAF), and membership is openly available to the public, as opposed to the Academy Awards. Traditionally, nominations are announced one day before the Motion Picture Academy announces its Oscar nominations, and the awards are presented one day before the Oscar ceremony, as a complement to the Oscars.

Links



This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Wednesday, July 1, 2009

Domains/WebSites For Sale

Top domain names and established and promoted web sites for sale

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CONTACT:
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Tuesday, June 30, 2009

Darwin Awards



A Darwin Award is a tongue-in-cheek honour named after evolutionary theorist Charles Darwin. Awards have been given for people who "do a service to Humanity by removing themselves from the gene pool" (i.e. lose the ability to reproduce either by death or sterilization in a stupid fashion). According to Wendy Northcutt, author of the Darwin Award books: "The Awards honor people who ensure the long-term survival of the human race by removing themselves from the gene pool in a sublimely idiotic fashion." The Darwin Award books state that an attempt is made to disallow known urban legends from the awards, but some older "winners" have been 'grandfathered' to keep their awards. However, despite claiming veracity as a requirement, most submitted stories are not verified against reliable published sources, and many of them are fictional.[1]

References



This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Sunday, June 28, 2009

Bad Sex in Fiction Award




Each year since 1993, Literary Review presents the annual Bad Sex in Fiction Award to the author who produces the worst description of a sex scene in a novel. The award itself is in the form of a "semi-abstract trophy representing sex in the 1950s",[1] which depicts a naked woman draped over an open book. The award was originally established by Rhoda Koenig, a literary critic, and Auberon Waugh, then editor of the Literary Review.

The given rationale is "to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel, and to discourage it".[1]

Winners


Winners of the Bad Sex in Fiction award include:

  • 1993: Melvin Bragg, A Time to Dance

  • 1994: Philip Hook, The Stonebreakers

  • 1995: Philip Kerr, Gridiron

  • 1996: David Huggins, The Big Kiss: An Arcade Mystery

  • 1997: Nicholas Royle, The Matter of the Heart

  • 1998: Sebastian Faulks, Charlotte Gray

  • 1999: A. A. Gill, Starcrossed

  • 2000: Sean Thomas, Kissing England[2]

  • 2001: Christopher Hart, Rescue Me

  • 2002: Wendy Perriam, Tread Softly[1]

  • 2003: Aniruddha Bahal, Bunker 13

  • 2004: Tom Wolfe, I Am Charlotte Simmons

  • 2005: Giles Coren, Winkler[3] (article)

  • 2006: Iain Hollingshead, Twenty Something[4] (article) (shortlisted passages)

  • 2007: Norman Mailer, The Castle in the Forest[5] (article)

  • 2008: Rachel Johnson, Shire Hell[6]; John Updike, Lifetime Achievement Award


References



This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Friday, June 26, 2009

Understanding humour



Arthur Schopenhauer lamented the misuse of the term "humour" (a German loanword from English) to mean any type of comedy. However, both "humour" and "comic" are often used when theorizing about the subject. The connotation of "humour" is more that of response, while "comic" refers more to stimulus. "Humour" also originally had a connotation of a combined ridiculousness and wit in one individual, the paradigm case being Shakespeare's Sir John Falstaff. The French were slow to adopt the term "humour," and in French, "humeur" and "humour" are still two different words, the former still referring only to the archaic concept of humours.

Western humour theory begins with Plato, who attributed to Socrates (as a semihistorical dialogue character) in the Philebus (p. 49b) the view that the essence of the ridiculous is an ignorance in the weak, who are thus unable to retaliate when ridiculed. Later, in Greek philosophy, Aristotle, in the Poetics (1449a, pp. 34–35), suggested that an ugliness that does not disgust is fundamental to humour.

In ancient Sanskrit drama, Bharata Muni's Natya Shastra defined humour (hāsyam) as one of the eight nava rasas, or principle rasas (emotional responses), which can be inspired in the audience by bhavas, the imitations of emotions that the actors perform. Each rasa was associated with a specific bhavas portrayed on stage. In the case of humour, it was associated with mirth (hasya).

The terms "comedy" and "satire" became synonymous after Aristotle's Poetics was translated into Arabic in the medieval Islamic world, where it was elaborated upon by Arabic writers and Islamic philosophers such as Abu Bischr, his pupil Al-Farabi, Avicenna, and Averroes. Due to cultural differences, they disassociated comedy from Greek dramatic representation, and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply the "art of reprehension" and made no reference to light and cheerful events or troublous beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term "comedy" thus gained a new semantic meaning in Medieval literature.[1]

The Incongruity Theory originated mostly with Kant, who claimed that the comic is an expectation that comes to nothing. Henri Bergson attempted to perfect incongruity by reducing it to the "living" and "mechanical."[2]

An incongruity like Bergson's, in things juxtaposed simultaneously, is still in vogue. This is often debated against theories of the shifts in perspectives in humour; hence, the debate in the series Humor Research between John Morreall and Robert Latta.[3] Morreall presented mostly simultaneous juxtapositions,[4] with Latta countering that it requires a "cognitive shift" created by a discovery or solution to a puzzle or problem. Latta is criticized for having reduced jokes' essence to their own puzzling aspect.

Humour frequently contains an unexpected, often sudden, shift in perspective, which gets assimilated by the Incongruity Theory. This view has been defended by Latta (1998) and by Brian Boyd (2004).[5] Boyd views the shift as from seriousness to play. Nearly anything can be the object of this perspective twist; it is, however, in the areas of human creativity (science and art being the varieties) that the shift results from "structure mapping" (termed "bisociation" by Koestler) to create novel meanings.[6] Arthur Koestler argues that humour results when two different frames of reference are set up and a collision is engineered between them.

Tony Veal, who is taking a more formalised computational approach than Koestler did, has written on the role of metaphor and metonymy in humour,[7][8][9] using inspiration from Koestler as well as from Dedre Gentner's theory of structure-mapping, George Lakoff and Mark Johnson's theory of conceptual metaphor, and Mark Turner and Gilles Fauconnier's theory of conceptual blending.

Some claim that humour cannot or should not be explained. Author E.B. White once said, "Humor can be dissected as a frog can, but the thing dies in the process and the innards are discouraging to any but the pure scientific mind." [1]

References




  1. ^ Webber, Edwin J. (January 1958), "Comedy as Satire in Hispano-Arabic Spain", Hispanic Review (University of Pennsylvania Press) 26 (1): 1-11

  2. ^ Henri Bergson, Laughter: An Essay on the Meaning of the Comic (1900) English translation 1914.

  3. ^ Robert L. Latta (1999) The Basic Humor Process: A Cognitive-Shift Theory and the Case against Incongruity, Walter de Gruyter, ISBN 3110161036 (Humor Research no. 5)

  4. ^ John Morreall (1983) Taking Laughter Seriously, Suny Press, ISBN 0873956427

  5. ^ Brian Boyd, Laughter and Literature: A Play Theory of Humor Philosophy and Literature - Volume 28, Number 1, April 2004, pp. 1-22

  6. ^ Koestler, Arthur (1964): "The Act of Creation".

  7. ^ Veal, Tony (2003): "Metaphor and Metonymy: The Cognitive Trump-Cards of Linguistic Humor"[2]

  8. ^ Veale, Tony (2006): "The Cognitive Mechanisms of Adversarial Humor"[3]

  9. ^ Veale, Tony (2004): "Incongruity in Humour: Root Cause of Epiphenomonon?"[4]



This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Wednesday, June 24, 2009

Limerick



A limerick is a five-line poem with a strict form (AABBA), originally popularized in English by Edward Lear, which intends to be witty or humorous, and is sometimes obscene with humorous intent.

The following example of a limerick is of anonymous origin.

The limerick packs laughs anatomical
In space that is quite economical,
But the good ones I've seen
So seldom are clean,
And the clean ones so seldom are comical.
Gershon Legman, who compiled the largest and most scholarly anthology, held that the true limerick as a folk form is always obscene, and cites similar opinions by Arnold Bennett and George Bernard Shaw,[1] describing the clean limerick as a periodic fad and object of magazine contests, rarely rising above mediocrity. From a folkloric point of view, the form is essentially transgressive; violation of taboo is part of its function.

Notes




  1. ^ Legman 1988, pp. x-xi.



References



  • Baring-Gould, William Stuart and Ceil Baring-Gould (1988). The Annotated Mother Goose, Random House.

  • Legman, Gershon (1964). The Horn Book, University Press.

  • Legman, Gershon (1988). The Limerick, Random House.

  • Loomis, C. Grant (1963). Western Folklore, Vol. 22, No. 3 (July, 1963).

  • Wells, Carolyn (1903). A Nonsense Anthology, Charles Scribner's Sons.


Links



Limerick bibliographies:

This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.